housemeister is back with his big new single >weird friends<! with us-indie-rapper p.o.s spittin the truth on the mic and housis signature heavy beats, this one is a no brainer. the acid-guitar line weaving its way into your brain and huge drum fills keeping things interesting, this effort is sure to stand out in any set! >weird friends< remixes from so hot twr72 who deliver a solid tech-dub, obi blanche who adds a funky live bass ala cypress hill meets smith n hack and our favourite brazilians mixhell deliver a tropical disco-rave mix with epic drumfills by hero iggor cavalera. finally and not to forget on this weird single release >hirschkeule<, the original version taken from housemeisters new album >music is awesome< - out now!

its been 16 years since aquasky first started bashing out the beats on moving shadow and 10 years since they released the mind altering >777< on botchit & scarper. during these 16 years aquasky have messed about with most genres at most tempos... but always retaining their trademark bass and their retro rave vibes. and here we are... the first ep from their long awaited follow up album to >teamplayers< released on passenger back in 2006. going back to their tear-out roots and fully embracing the modern production sound of now along with a firm 140bpm footing, aquasky come out fighting. >raise the devil< is an albums worth of tracks that will awaken your inner devil... powerful, noisy, aggressive and militant. taking it back to the days when people partied hard in abandoned warehouses and muddy fields. but, i expect you know all of that already... its what aquasky do, and its what they do well!

part 2 of 3 of the remix package taken from the triple vinyl album ?un?nished business by suspect - thug records as the apocalypse rages on, communications expert tevo howard has be assigned to help develop a strategy that can end the terror. with no known footage or visual sightings of suspect, tracking the enigma responsible for launching the virus known only as ?un?nished business remains dif?cult. the survival of humanity sits on a knife edge. the virus has been ef?cient in its ability to morph and remain undetected. previous vaccines have only helped slow the rapid spread of the virus. now a new hope beacons… the resistance is armed with 3 new bio weapons which have been developed from original strains of suspects material. transmitted via an injection of analog drum machines, dark rave synthesis and tevo howards unique arrangement techniques, the thug 004 remix package adds new weight to humanities plight for survival.

freerange welcome back salvatore freda once again for possibly his strongest track yet, along with three very different remixes. remixer nebraska has had a string of excellent releases on rush hour, with his recent album displacement getting rave reviews on resident advisor.

bulgarian artist strahil velchev aka kink for the second volume of the tracks from the vault series. after the aphex kink ep and kinks tribute to richard d. james, sharivari releases another 6 tracks from the man, all produced between 2004 and 2009 in sofia and showcasing again his love for the dirty side of electronic music, from pure warehouse techno to some funky and warm broken beats, with a subtle touch of acid, as always with kink. 300 copies pressed on grey vinyl.already supported & played by laurent garnier, marc romboy, coyu, jimpster, tripmastaz, dan curtin, rennie foster, hardrock striker.

nd release of new artist on endless flight >arthur james denton<. title track of a1 >an odyssey< is dark chicago house track, a2 >loon< is funky rave house track. legowelt remix on b side is more tech house style. the debut album is coming in the next year.

on the a-side we have the cheeky >24 hour party sausage<, where garry takes us back to the sounds of the early 90s uk rave scene. its a peak time old school vocal affair with a raw, analog bassline, stuttered drums and chopped up stabbed vocals. stepping up for remix duty on this future classic is the mole who flips the original on its head and creates a dancefloor creeper for those darker club moments. winding the bassline and metallic beats between the rawness of the original groove and imparting his trademark spooky percussion, rhythms and eerie vocals. b-side >vacation in sunderland< is a love story with a firm salute to the classic down tempo us house of the 90s. its time to dust off those shell suits, high top sneakers and cazal shades and get ready for another slung back, funked out garry todd house jam with growling, rolling bass and seductive vocals and keys. on the remix front fellow illusion family members death on the balcony step up with a classic house masterstroke that compliments garrys slower and sleazier original. here dotb pick up the pace in a brilliantly original rework that accentuates the vocals and piano hook to create a summer house anthem - a stylish finish to another diverse installment from the illusion crew.

bonaparte, der rock n roll-zirkus mit dem wahnwitzigen pferd und den geschichten aus tausend und einer clubnacht.
nach fast sechs jahren dauertournee von neuseeland bis seeneuland genehmigt sich die partydiktatur bonaparte gerade eine auszeit, um nach den diamantenen erfolgsalben *too much* und *my horse likes you* in den neuen kaiserlichen goldgräberstudios das dritte album zu erfinden. man munkelt, der kaiser soll im studio höchstpersönlich seine peitsche swingen!
damit bonaparte-fans über den winter kein trübsal blasen müssen, gibt es nun *0110111 - quantum physics & a horseshoe* - den größte bonaparte-livemitschnitt aller zeiten! erleben sie also alle bonaparte smash-hits in live, von *anti anti* bis *gigolo vagabundo*, von *computer in love* bis *rave rave rave*, und lassen sie sich entführen in die magische welt der fan-tasie!

limited kanzleramt classics !

drew lustman aka faltydl veröffentlicht seine mit spannung erwartete erste ep auf ninja tune. die vier tracks des derzeit schwer gehypten, in new york lebenden produzenten, bewegen sich zwischen electronica, post-dubstep, rave und deepem techno! faltydl remixte bereits größen wie the xx, mount kimbie, photek, scuba und anthony shake shakir!

volta cab has made quite an impact on the nu disco / deep house scene since last year. he is a multitalented, versatile producer, performing brilliantly in a range from from nu disco, deep house, soul, techno to breakbeat. approaching music in an open way, he is not restricting himself to a certain genre, catching the zeitgeist. on serenades, volta cab takes us back to 1992 with a 4 tracker called >house of the rising fire ep<. all of the tracks are heavily influenced by rave and house soundscapes of the early 90s. think of early prodigy, altern8, rachel wallace and baby d, combined with a modern nu disco twist.

ultraschall is an homage to the first big techno club in munich. the owners of harry klein were part of the old ultraschall, which has a unique legendary status nowa¬days. the older generation in particular often long for the good old days. yes those times shouldnt be forgotten, especially not in terms of sound, but its also important to move on and attempt new things. like supporting vinyl, going to a who¬lefood shop or ending war. ok that might sound like a bro¬ken record, but how about spending less time on facebook and actually with your friends, cooking for your parents or organizing a break dance battle in your backyard? daniel takes us on a journey through the past and back to the future again. a charming mixture of laid-back grooves combined with some rough n ready rave moments make this a rapturous trip, no matter what time it is. track names are a really interesting element of music. some artists dont care about them at all and call their tracks a1 or something non-descript. yet many titles can be really funny, others made up words, and some corre¬spond to current events or times. some just really fit the sound. if you lose something, in general its a pretty nasty and unsettling feeling. but you have to deal with bad luck when it strikes. losing something can teach you an im¬portant lesson, or simply show you what it means to be unfortunate and down. not knowing the lows as well as the highs wont allow you to evaluate life very well. most important is to really feel and be yourself, despite the ups and downs.

after netsky, kg, break and nymfo smashed some belgian dance classics by original artists shameboy, buscemi, ultrasonic7 and magnus, a few more d&b hotshots step to the plate.
blame gets the opportunity to rework his favorite tune of all time, the ultimate rave track >anasthasia< by t99. meanwhile men of the moment fred v & grafix add some 21st century flavour to >camargue<, one of many charttopping hits by the legend that is cj bolland.
with support from netsky, london electricity, d-minds and fabio among others and a forthcoming upload by ukf, the future looks bright for these badboys.

nice price deal !!! the first release from il bosco aka christian wood aka woody aka crowhead aka nudge! a man of many names he has been part of the make up of manchester club land for many years. he was resident dj at fat citys infamous friends and family night & a recording artist for grand central and aim’s atic records during the noughties. after a couple of years hiatus he’s back out of the studio with four tracks and taking a new direction. the tempo is up and a mutation of old school rave, italo, house and electro is in the offing.

breaking onto the scene via a series of anonymous 12inch, it was after garnering reverence as a big name producer in disguise that cottam was unveiled to be the humble newcomer paul cottam. rising through the early rave scene in his hometown of preston, he first cut his teeth as a dj warming up for the likes of surgeon, dave clarke and regis. despite his techno upbringing, it was the slo-mo tempos of mark e and the revenge that inspired cottam to produce his own brand of dusty soul and hip hop-grounded house. however, in april cottam returned to his roots with >sunrise sunset< on use of weapons, sinking a rave core down to his signature slung bpm. it is a journey into sub-aquatic acid house that began with a series of remixes for luv jam, pattern select and morning factory, and one that he continues to explore on his aus music debut. aptly titled >deep deep down< sculpts the feeling of acid techno into warm slo-mo house. ukrainian producer vakula takes the track off on another tangent entirely, stripping away its propulsive chugging heartbeat and replacing it with an off-kilter, spaced-out pulse reminiscent of theo parrish when he s in that kind groove. on the flip, >twang< is a return to cottam s brand of languid, soulful house, steeped with groove destined to incite the dancefloor shuffle.

full drumming, a grumpy chord sound embraced from a dark, rebelling melody line like out of the old rave days and the demanding voice from the massive track internal, which calls the >soldier< with his name. remixer rolf mulder mills with darkly digging sequences and creaky acid effects sharp edged points in the sole of the dancers, so that these also find enough hold on the slant melodies. >skydive< makes in the matter of grooving also thick cheeks. the track rumbles more and more elegantly than stoic through the space and pulls from the propulsive combination of the vocal-hookline and the harmony changes a well-arranged serving of pop flair which cuts the darkness of the night with a flashing blade from light. toureaus impact version of >skydive< serves 8-bit like clicking in the treble area, swears to the rhythmical spirit of the good old days and asks him for a bouncing dance on the floors in the here and now.

the newborn label oasi lab entrusts his 3rd vinyl output >third way ep< to a pair of talented producers: andrea bigi and marius laurentiu that after the exit on prestigious bla bla records, monique musique, be real, microzoo, compose an elegant track but at the same time killer for all dance floors, their sound is fresh and full of magnetic charge and suitable for all situations, thats the confirmation that a new generation of producers is taking life. thickness of the remix of the famousproducer horatio (viva music, natural rhythm, quanticman, sleep is commercial) which transforms the song into a trip ofincredible old school taste but with twists of surreal and hypnotic sounds! pure dynamite for rave oriented sound lovers. in the same ep, madutec s debut in oasilab with his deep and dry sound incredibly effective if you require elegance and powerat the same time, track that makes the ep mark a new way of making music andconvey positive vibes.

in a time when rock critics saw the prodigy as a glorified keyboard player flanked by a couple of weird and scary dancers, liam howlett & co showed the world how dance had evolved away from the club scene and into the festivals & arenas.
and they did that by staying true to their own sound. while dance moved from acid house to rave to ambient to breakbeat & drum n bass, the prodigy changed their brand of hard-hitting breakbeat with king-sized hooks and unmissable samples only sparingly.
always outnumbered, never outgunned was the long-awaited album after their breakthrough smash fat of the land. featured on the album are namesake liam gallagher, kool keith, twista and even juliette lewis, morphed and wrangled beyond recognition on an album that goes back to the core of what the prodigy stands for: a thumping bass, mad beats & noise flying every which way but loose!

supported and played by: slam / laurent garnier / alan fitzpatrick / takkyu ishino / pig & dan / arnaud le textier / ascii.disco

** very limited 2015 repress**
only 1 copy per customer / nur 1 platte pro kunde
raw & heavy hitting 1990s rave house/techno reminiscent club bombs.

1990. england. a revolution is building across the uk. dilapidated warehouses and factories come to life at night. euphoric teens defy police bans and cordons to embrace life and the dancefloor. acid house has arrived and friends matt (henry lloyd-hughes – >the in-betweeners<) and dylan (jack o connell – >skins<) are at the heart of it. this is their story. welcome to >weekender< – a brand new film that documents the rise of house music and rave culture in the uk in the late 1980s/early 90s.the vinyl offering contains 3 exclusive new edits of seminal acid house anthems >move your body (the house music anthem)< by terry farley & leo zero plus >baby wants to ride< by miles simpson & neville watson

torb is fabien & julien torb. two french guys from the already mytical motorbass recording studio of paris. julien is a new engineer, my faithfull and beloved assistant. fabien is building modular synths and repairing our lovely pultecs and emts in the attic. the day fabien finished the tt1 (torb technologie number one) their love of francesco farfa and their pure techno ethic collided into some magical music. we at cassius records are so proud to put their beautiful sound out. in those days of maximal and minimal war, in those days where real house music seems to attract people again on the floor their techno is a bless and a bliss. reminding me of my rave age, when the all of paris was going to mozinor to dance to francesco farfa, armando, yayo or the ur guys until the break of dawn, i couldnt resist to ask them to grant us with a splendid ep : mars premier. i have nothing really to say more than that, and those who know me will understand that this thing is serious. peace and happiness zdar

over the last nine years, the resopal crew has written another chapter of the german tech house book. with releases by d. diggler, robag wruhme or by shooting stars like paul ritch and johannes heil, resopal has celebrated some of the biggest records from 2001 to 2011. in this spirit... we feel the bassline by talented berlin young producer michael knop. his body of work, weak chin ep needs no introduction. he applies his excellence with searing modern techno beats tweaked with a barrage of sound effects and topped off with a subtle futuristic rave complexity. three tracks on vinyl that are nothing less than groundbreaking.

dorninger (who has chosen the prickly project-name >dorn< which means >thorn< in english) gets presented on this vinyl in his proven quality as an accomplished sound-explorer all across electronic soundscapes. you will find a range from dance-tracks containing fluffy breakbeats, psychotically screwed basses and flogging electric shocks (hard timz, my little synthpopinferno, la batteria della noce) to the point of impulsive (no) wave rave (crying) as well as nervous chill-in-grooves (night oh night). due to the fact that an album-cover provides space for 2x30x30cm art it is more than obvious that houztekk came in touch with the vienna based artist julie monaco as the houztekk crew admired her work since a certain period of time. as well this was the reason that maximilian m. contacted julie monaco telling her that a record which perfectly corresponds with her graphics is in planning.

the musical heavyweight matthias vogt is back on polytone. after the success of his first ep >together as one< - sold out vinyl edition, excellent feedback from top djs, first track on the big city beats compilation vol. 13 cd 3 - the second ep arrives on polytone. the polytone boys knew right away that >copying the future< has the potential to be a classic. a track with character and a high recognition value: hypnotic rave stabs and uplifting chords combined with a driving groove will send shivers down each true music lovers spine. >copying the future< is delivering deja vus without copying the past - a great track with a past and a future, deeply rooted in the here and now. >stillach< claps its way into every listeners ear. the b side of the ep named after a mountain stream in the allgäu is calm and also powerful with a slow, minimal and very tight groove. vogt is going deeper! matthias vogt once again demonstrates his great musical skill and versatility.

from the very outset, the m.c.d.e. remix of shit robots >answering machine< picks up in a completely different realm from marcus lambkins original, which appears on his 2010 debut, from the cradle to the rave. the stuttgart-based producer has replaced janine >planningtorock< rostrons slowly rising vocal opener with outerspace emanations that fade as they drift into a constellation of wide house grooves and deep bass. rostrons own pizzo remix is up next, and in (a)typical fashion, she takes the song and shifts its mood by clearing away the dancier elements of its predecessor in favor of a foundation of strings in every form: plucked pizzicato notes, low cellos tones, and high pitched violins that flit through. last up is another rostron creation, the whisper remix, which actually outpaces lambkins version in bpm, but is lighter all the same. here, she uses synths almost as a wash of white noise – a whisper, if you will – and only drops heavier vocals here and there along the songs rustling path.

der dritte raum is a super project at constant altitude flight. releasing music on labels such as harthouse and cocoon since the early ninetees der dritte raum has established a name for high quality electronic music and a live show you will never forget. with their Überhit >swing bop< 3 years ago der dritte raum has kicked off a still going roaring-20s-hype in the electronic music scene in berlin and anywhere else. now here we go with the remixes of this epic piece. the question was: who could remix this unique track withut making it just a worse copy of the original? the answer: t.raumschmiere might turn this track into a dirty wrecking rave monster and as a complementary addition, acid pauli might be a good choice to take the track in a totally different direction. well, t.raumschmiere did what we expected, just in an even better way than we hoped, and acid pauli did as well. he gave swing bop an outfit that makes it sound even more dreamy and out of time and space. enjoy!

supported by: tim toh, oskar offermann & edward, shaddy foul&sunk, boris hotton, andy weid, hunee,.. frank is back for another round. this time its frank music head poncho johannes delivering two heavy tracks for your dancefloor. we got a classic double-a side, personally stamped in a basement and limited as sunny days last summer. first there is >rough rough raw< ... well its rough and its rough and its sort of raw. dubby vocoders, 909, rave breaks, you name it! second is -way out of sight- which got a fuzzy bassline, little trance moments for maximum party pleasure and some more dirtness in between. this is most probably slammin muscle house for skinny jeans boys. to sum things up: basement is not a crime! our good friend tim says: a few days ago i listened to an old cassette from the year 2000. >roughroughraw< really contains the spirit of this time. the right tune to start taking some >e<s again, smoking a joint and gettin nuts on a tiny dirty dancefloor. underground ish for sure... and same for >way out of sight< especially the first chord of that synth, which reminds me on michael jacksons >thriller<. thank you and turn that swagger on!

dutch dj day-mar drops het first solo ep on abstract. hard techno at its best. industrial beats at the edge of hardcore this is the ultimate rave record for the big crowd. dont be fooled by the looks of this girl, hard!

limited edition of 250 vinyl with hand screen printed sleeve and art print insert.
the first release ties together three tracks all at around 130bpm which look to the past while sounding like the future. shades of classic electro, grime and rave in the oven and it smells good.

already receiving big support from peter van hoesen, norman nodge, marcel fengler, perc, brendon moeller, len faki, laurent garnier and more. following the recent success of his starting over ep on belgian tastemakers curle, matt heads home to off-key to release his strongest work to date.
first track >bloom< whispers sweet nothings in your ears while shimmering synths caress your neck and skipping percussion dances around your groin. unable to resist, you let yourself go and >without warning< spikes your drink, drags you into a filthy warehouse rave and leaves you grinning maniacally under a flickering strobe light.

25-year-old tim green from the south of england is well-known to the attentive observer of the electronic dance music scene: besides releases on get physical, trapez and four:twenty recordings, he also gained a lot of attention with his contributions to the third cocoon 10 inch vinyl (lone rider) and the cocoon compilation i (exercise). on his debut ep, green presents the whole stylistic bandwidth that modern floorfillers can have. for almost ten minutes, >lemon< oscillates between a full frontal percussion assault, fragmented deep house vocals and detroit-influenced harmonies, consequently setting the signs to >summer<. the first track on the flipside, >jimmy rave up<, is a dark and pushing runner that impressively proves greens wealth of variants once again. the trio is completed by >dodjo<, a track that forms a more than pleasing intersection between tropic calypso sounds and machine-like strictness - an unforgettable track that will echo long after the year 2011, promised!

electric deluxe is proud to present the new terence fixmer ep le terrible. and as the name already suggests this ep is up for some serious damage. a side kicks off with le terrible a dynamic and powerful monster of a techno track which pumps up your adrenaline with its pounding bass drum and hypnotic built ups. gut feeling! b1: concept c is a strong track in which terence fixmer works his production magic with more experimental elements such as drone sounds and his ragged and slightly distorted signature bass. nonetheless creating a high energy level tune ready to be unleashed on the dancefloor. b2: last with the vinyl version dance like paranoid (marcel dettmann remix). marcel dettmanns remix wins you over by its carefully arranged melody and drum pattern which creates a melancholic and timeless rave anthem. bliss!

in the wake of their great bunker and som releases, its time for the exaltics to unleash their unique brand of brooding and dark electronix tech-fi onto creme eclipse aka the living planet. it may sound scary at first but lucky for you it all ends in a crop circle rave!

nice price deal !!! get ready for this new musical experiment designed by toni dub, a new label born between italy and germany.the aim of toni dub is to select for you the vibrations of the house and techno music with innovative influence.
this first ep is realized through the collaboration from some of the most talented italian artists: mirco violi, ario, freakme and whodafuck. these four different tracks show all the elements that characterize a new philosophy of music that can merge multiple realities.

a boy named suzanne. travelling from los angeles to portland and back to los angeles again, suzanne krafts vinyl debut features four tracks of frenetic sunshine ecstasy. chill rave, pill wave, hypno disco, balearic beats or slow-motion house made by the careless youth of the us-american west coast? call it what you want, at the end of the day or the night its simply joyful music made to make you happy. on krafts >green flash ep<, the contemplative romance of >green flash< counteracts the straightness of >morning come<, while >turning< and especially >femme cosmic< are the icing on the cake. lets face it, old people: the kids are all right! first 5000 copies housed in a killer and tremendously flamboyant sleeve. bite into summer.

bumperfunk has build up quite a name for himself in belgium the past 3 years with massive electro house sounds inspired by the german berlin scene, makes also music for a few big belgian movies.
idm is a new kid in town ... here on the drum roll with an absolutely massive downtown underground slow pumping techno bomb with lots of drum tribals ... try this out in front of a big crouwd ... you will see what happens next ...
nbk are nu beat kids. when looking for the ultimate oldskool rave team you will be hard pushed to surpass the credentials and pedigree of the two producers that make up the nubeatkidz.an explosive combination! now on track with a new sound - electro rave!

if the doorman fronts like he dont know you... tell him that youre with the dj whether he is friend or foe, the nightmaker or the night-breaker, the mythical nightclub doorman is a universal figure of influence for clubbing fans worldwide. dj nibc, the berlin-based, gothenburg-born dj, producer and trunkfunk records label owner and vocalist anthony mills pay tongue-in-cheek tribute yet also take him to task with their energetic workout >the doorman<. capturing the anticipation, anguish and unpredictability of conversations held on the threshold of clubland, a hapless and faceless figure is ready to rave, and is unleashed via a processed vocal over a tightly-wound acid tech beat. a buzzing twonote bassline and pummelling drums set the stomping

psycho trill anniversary pack, limited to 100 copies! including:
aut 2011 carsten rausch: cat eyes ep
ptne 2110 bv ltd. re-press_ casey hogan: red shift re-edits
ptne 2117 ltd. ed. jonzon: reflections of my mind #2.0
sar 0005 ltd. ed. flextronic: old boy needs a dirty rave
… plus several add-ons like stickers, posters and flyers!
>whats worth the bucks<, though for its 19 years of psycho thrill anniversary the world-wide respected, cologne based, cutting-edge techno imprint strikes again with another technofied steppin quad-pack release.
this fourfold-dash specialises primarily on the long demanded 100 copy limited re-press of carsten rauschs classic techno/house hybrid >cat eyes<. an unbelievable ever-fresh workout from contemporary minimal splashes to rolling techno and acid infected beats, proving that you dont really need a worn-out 90ies tekkno or house sample in order to rock the house all the time and lift us finally up into an eerie, energetic world of wicked bass and driving beats.

the second release on the forefront label is the pyramids ep from teenager nkc. the pyramids ep follows up on his debut release on awkward movements unleashing four tracks built for the dancefloor. the release has been gaining widespread support from the likes of bok bok, lil silva, marcus nasty & hard house banton along the way. >partisan efforts< kicks off the ep with carnival vibes, combining a jacking uk funky skeleton with uplifting pads and vocal samples. meanwhile >the pyramids< follows up on a tougher tip bringing together booming sub bass with rolling snares for maximum dancefloor impact. the b-side leads with the heavyweight >sellout< which brings laser-like stabs and uk funky drums together to create a powerful track thats surefire rave material. >untitled< completes the release with rolling percussion on a four to the floor backdrop combined with reverberating, percussive synths.

kapitel 2, and once everything is new! the collaboration of talented young producers and skilled heroes of the scene provides a colorful picture of the current sound development of the label in 2011. between tempo throttled, acid infected dancefloorkillers of l kubic and old school groove monsters of tokra thaan in a remix of james flavour up to grinding minimal beats with hypnotic-flashing sounds of trockensaft, to chameleon tracks from swen weber, which welcomes you with a dancehall impregnated beat in a 4/4 beat corset, which is ironed in the course of its construction and stay suddenly like a stomping and snorting steam train in the ear canal. and if then hardy hard mates early nineties rave influences with house vocals and flat-fuzz comes with a ghostly- kicking sampletrack around the corner which is just as hip hop as electro, it is clear, that these pieces are absolute killers of their guild, from the first to the last track, and each of them is conspicuous by its own distinctive aesthetic. originality is all

with his new compilation, >night & day<, the man who was proclaimed the prince of lounge when he arrived on the scene to rave reviews in 1999 finally shows us the two sides to his talent. everyone, without exception, considers stephane pompougnac to be the musical image of a certain idea of french luxury that is represented by such brands as chanel and dom perignon! with 5 platinum and 14 gold discs, along with 5 million album sales worldwide, he made his mark on peoples minds and ears with a collection recorded exclusively for the hotel costes almost 14 years ago. still, on this double album figures productions from stephane pompougnac that illustrates the remarkable scope of his desires. >take her by the hand< featuring lady linn on the night cd, is at the same time catchy and clubby. jeremy hills, a young french dj that have already remixed songs for mylène farmer, laurent wolf… turn the track into a dancefloor killer!

crosstown rebels get set to unleash the power of the model feat. my favourite robot with a vampish feast of 80s proto-house in -still in my heart- followed by a playful epic rework from ivan smagghe and a dose of warped late night techno courtesy of two mesmerising brett johnson remixes. the model makes a storming entrance into the crosstown camp with the original of -still in my heart- spinning a circus of 80s inspired melodies, rave synths, techy bleeps and stabbing bass. my favourite robots soul-penetrating vocals nonchalantly weave a darker thread through the dizzy heights of electro stylings supplying a vein of moody romance

from the very start, track one the first thirteen minutes of love opens the album with over ten minutes of ambient unlike anything you’ve heard in years, a long, elegiac composition somewhere between carl craig and the chill-out zone at a bygone rave. it’s a warning: take a deep breath before being swept away by eight tracks that span detroit and berlin, front 242 and carl craig, linking them via soaring trance, carefully-crafted minimal, the sound of the 90s, the sound of the new millennium. it’s hard to imagine the strike force and heart pangs it will inevitably inflict on any club in the know

ramrod is a rebell on the dancefloor and on the decks! known for his guitar and rock based productions he brings us 4 tracks with strong songcharacter in his rebell-rave style. he is also known for his great dj sets together with syntax error as the die bomclikks (german pronounciation) dj team. another new record which can be used to bring the dancelfoor up to the boiling point.

tube10 returns with their 10th release already and their not mucking about! usas own don distal is stepping up with the ever epic >apple bottom< is it juke? no! is it house? no! is it dubstep? hell no! apple bottom is a hybrid tune is there ever was one ... this one smashes the dancefloor and leaves the crowd begging for more. with its juicy form and rave like edits its obvious that distal is no one day fly. with releases set for pinchs tectonic label and sindens grizzly you will know what to expect from this guy.
flip it over for >space graffiti< another piece of interstellar vandalism. this time distal shows what he is worth on a more dubby side. dont underestimate this one as this will pound any speaker system to bits with its firm deep bassline. let the tribal beats pick you up and put you down wherever you want to!

following steffis debut long-player >yours & mine<, the story continues with three special remixes, each re-interpreting a key track, courtesy of staffan lindberg, lone and the analogue cops. swedish newcomer staffan lindberg, already promoter and dj on the malmö/stockholm scene, is a recent favourite of steffi for his tracky, fresh house sound. this hypnotic, rave- tinged mix of >yours< weaves an intricate tale for the dancefloor - nothing is rushed as the classic elements have so much room to shine in his fluid arrangement. recent r&s signing lone is becoming well known for his warbling strings, wandering melodies and glissening old school flavours. this remix is no exception and sees him work the chicago-vibed >arms< into a magical cosmic future-acid trip. berlin based duo the analogue cops aka marieu and lucretio have brought the house down many a time with their stomping live shows in the capitals clubs and warehouses. their pumping remix of >you own my mind< is tight, middly and uncompromising - a perfect example of the rough, tripped-out house vibe they live and breathe.

founded in 2007 by julien henry (synths & vocals) & marc aumont (bass & vocals), rafale got the meters in overdrive right from the start. they played festivals after festivals (les trans musicales, les découvertes du printemps de bourges, astropolis, art rock...) & stood out thanks to inflammatory shows in which raw rock power melts with rapturous clubbing rave. after the release of two eps (rock it, dont stop itt - excessively blogged - & drive, one of year 2009’s best videos according to french magazine les inrocks) & with the support of the media, this double act grew to a trio when franck richard joined on the drums to work on a third ep produced by arnaud rebotini (blackstrobe):eraser. today rafale releases its brand new 12 inch produced by arnaud rebotini, everglades.